Showing posts with label Storytelling. Show all posts
Showing posts with label Storytelling. Show all posts

Friday, April 22, 2016

Week 13 Storytelling: Skihandin After Bhishma



Sikhandin stared with fury into the eyes of Bhishma. Bhishma stared with sadness back. The great leader had recognized Sikhandin, though he had never seen his physical form. The stories had traveled far. Bhishma knew.

Sikhandin's heart pounded. A wild scream tried to escape from his throat, got caught, and became a sharp inhale. He had waited for this moment. Across three lifetimes, he had imagined himself in this very position, locking eyes with his sworn foe. He had imagined the feel of the weapon in his hand. He had felt the tension in every muscle, each night as he closed his eyes to sleep. 
He imagined himself speaking bold words across the battlefield, words to make his enemy fearful and angry, but also to make him understand the wrong he had done. He opened his mouth again, tried to speak those words, but they did not come. His memory of this detail -- what was he to say? -- had been so clear and brittle only a moment ago. Now the words were a crackling fire: passionate, writhing, sparking, and dangerous, but impossible to grab; they had no form, no outline, only light and shadows and fury. He tried to conjure up a memory of his own voice -- the words he had mentally rehearsed every night across multiple existences -- but heard only the echoing voice of a young girl who had been driven mad with pain, as her words became water, then silent stone.
This moment of hesitation, as Bhishma stared at Sikhandi unwilling to speak, and Sikhandi stared back, unable to form words, was enough, and soon arrows from the Pandava army darkened the sky as they rained down upon Bhishma, who made no motion to escape them.
Sikhandin watched as arrow after arrow pierced Bhishma's armor, then his flesh. Bhishma fell. Soldiers from both sides ceased their fighting, rushing to the leader out of despair or triumph or grotesque curiosity. 
An urge arose in Sikhandin to turn away, but he remained still as a stone, watching more and more faceless bodies gathering around where Bhishma had stood. Leaders of both armies arrived, united momentarily by their grief. Bhishma had been universally revered. This one leader's death was so tragic, it stopped an entire war, if only for a moment. Sikhandin, meanwhile, stood alone. The fire in him was quietly extinguished. All that remained was smoking, grey ash.

His mind emptied in one great sweep of darkness. All desire, every trace of passion or determination or righteous hatred disappeared, gone as quickly as an arrow loosed from an archer's bow. The blank abyss that was left of Sikhandin's spirit felt enormously heavy. It felt overwhelming. It felt like staring into a starless night sky. He lost himself in it for what could have been an eternity, disappeared from his surroundings into the embrace of his own emptiness. It felt good.

He became gradually aware that his body had begun moving, carrying him away from the scene as if guided by some celestial hand. As he emerged from within his own mind, he became keenly aware of every movement made by this suddenly foreign vessel of a body. His legs bent, picking up his feet, which came down in front of his body, again and again and again, for an acre and then a mile; his eyes stared straight ahead, dull as two lifeless stones; and yet he was not controlling these actions. They happened and he experienced them without thought or concern.

After what could have been minutes or hours, he was taken by his body to a river he had not previously known was there. The movement stopped and his body relinquished its hold on its passenger. Sihkandin stood at the banks for a long time, eyes closed, listening to the trickling water. 
He started moving again, this time entirely of his own will. Each movement now was deliberate and slow. He entered the water, eyes still closed. It rose up to greet him, enveloping his form like a cold embrace. Finally, he was submerged, and he opened his eyes. 
Blackness became calm blue. 
Sikhandin was no longer fire or stone. He was at peace.

A voice wrapped itself lovingly around the remnants of his physical form before it slipped away with the current of the river.

"Welcome home, Amba."





Author's Note: I wanted to conclude my Amba/Skihandini/Sikhandin series with the resolution to this character's lifetime of strife: the achievement of her/his ultimate goal, the death of Bhishma. 
I think the epics themselves do just fine describing what happens in the lead-up to this event, describing the war, then telling of Bhishma's death and funeral. It's clear from the stories that Bhishma was well-regarded in life and in death, and we get a lot of details to show this, including a brief ceasefire to honor the fallen leader. His story is wrapped up in a neat bow and concluded with great care.
However, we never receive any resolution to the struggle of Sikhandin. This is what I imagine happened.
I wanted to include some references to the previous lives of this character, both as depicted in the various versions of the epics (s)he pops up in, and as written in my versions. Throughout my Amba series, I've associated her with various elements or natural forces to represent her struggles, emotions, and strengths. In the first story, she was fiery hatred, and each time she felt the passion that drives her, I used fiery language. In the second story, she was stoic stone, and I used that imagery to portray her quiet yet unwavering persistence. Finally, throughout each story, I've associated water with moments of peace. Thus, my version of the character seeks this element to ultimately rest.

Source: Wilson's Five Tall Sons of Pandu


Monday, March 7, 2016

Week 7 Reading Diary: Nedevita's Mahabharata (B)

The Maiden Who Became a Knight:
Story of Amba's incarnation Sikhandini
Drupada prays to Shiva for a son who can defeat Drona; Shiva says he will have a son who is born as a daughter
Sikhandin id betrothed to princess, whose father discovers her true gender and threatens war
Sikhandini overhears her parents discussing their seemingly doomed fate and runs away to hut of generous yaksha Sthuni
Sthuni wants to do whatever he can to help Sikhandini; offers to trade her bodies temporarily
    Sthuni's master comes by and sees him in woman form, makes trade permanent (until Sikhandin's death)
Bhima learns that Sikhandin is Amba reincarnated, story of Amba is told


Battle of Bhishma, Arjuna, and Sikhandin
Chishma recognizes Sikhandin as Sikhandini, refuses to fight back against him/her. Arjuna uses this to his advantage, basically using Sikhandin as a human shield. Finally Bhishma falls, mother Ganga sends swans, Bhishma will lay on bed of arrows until winter

Sikhandin battle Kripa; Source


Friday, March 4, 2016

Week 7 Storytelling: Sikhandini and Sthuna


Sikhandini sat on the floor of the hut in total stillness as day turned into night. When the sun rose, her eyes did not move from the nothingness upon which she had fixed them. One day turned into two, then three, and by then time seemed irrelevant, but Sikhandini remained, never once moving from her place. 
All the while, the yacksha Sthuna watched with growing concern as this despondent guest grew more gaunt by the hour, until finally he feared that she might waste away into death there on his floor if he waited one moment longer.

"Oh, sad child, please! I can no longer bear to watch you suffer. Tell me what causes you such pain!"  he cried.
Sikhandini showed no indication of having heard the yaksha, so he tried once more. 
"Please, child. If it is wealth you desire, I can offer great treasures!"

The girl's complete stillness and dull eyes gave her the appearance of a stone carving, solemn and lifeless. Still, she was silent.
Sthuna was desperate. "If not riches, then anything you desire!" 
He paused, searching for the right words to awake the stagnant girl. Finally, he pleaded in a quiet, compassionate voice, "I will do the impossible, if only it would ease your pain! I beg you, just say what is wrong!"

Suddenly a light flickered in Sikhandini's eyes, which she raised to meet Sthuna's.
"You can do the impossible?" she asked, her voice weak but calm.
"I will find an answer to whatever you ask of me -- just ask it!"

Sikhandini lowered her eyes once more and stared at her hands. They had been small before, dainty and feminine, but her stillness and hunger had leeched their delicate curves. They were now no more than thin, pale skin wrapped loosely around brittle bone. Her eyes traced over every sharp angle of every joint, mouth set in a firm grimace.

She was silent for so long that the yaksha almost thought to beg once more, but eventually she spoke again, with the same calm weakness. 
"These hands. Pathetic girl's hands."
Sthuna was baffled, but desperate. "You desire new hands? Take mine! We will trade!"
Sikhandini ignored him, slowly wrapping her frail arms around her emaciated frame. "And this body," she muttered coldly. "Utterly insufficient."
The yaksha responded immediately, "I can make you strong! Your body need not limit you any longer!"

Finally Sikhandini brought her eyes back to Sthuna's. "You offer impossible things."
"For you, who has shown such courage in her suffering, nothing is impossible!" he responded confidently.
Sikhandini's gaze did not waver, though hot tears came to cover them in a hazy sheen. She tried hard to prevent any trembling in her voice as she gently asked, "Why do you show such kindness? You have no cause to care for me."
The yaksha smiled sadly. "Your pain has become my pain. To reclaim my life, I feel I must save yours. Tell me what I must do."

At this, the tears escaped and ran down Sikhandini's gaunt face, tracing the sharp angles of her bony visage. Your pain has become my pain. The words echoed in her head. 

Pain. 

A sudden change came over Sikhandini. Her spirit became like stone once more, but this time it was as resolve, not apathy. Weakness left her face, replaced by fiery determination. The tears left her eyes, and those remaining on her cheeks seemed to be so hot they burned her delicate skin, leaving angry red trails along their path.

Finally, Sikhandini rose from the floor. Her bones were weak and what muscle remained on her body strained; Sthuna worried that the girl might collapse, or snap in two like a sapling under foot, but she stood as solid as a banyan. 

Her eyes rose and locked firmly on the yaksha's. Beneath her sickly skin, Sthuna saw Sikahndini's jaw clench, then relax, each muscle on her small frame tensing as if with anticipation. 
She looked down at herself, and then back at him.
"I know what we must do."

Image of banyan by Colin Calvert; Source




Author's note: I was so excited to read more about Amba/Sikhandin(i)! (S)he has become my favorite character in the Mahabharata -- no matter which form she appears in, her fortitude is so admirable. 
I wrote this as a bit of a companion piece to my other story about Amba. I noticed some parallels in her two lives and thought it might be nice to recall some elements from my own previous writing.
This story tells of Sikhandini's encounter with the kind yaksha Sthuna in his home in the woods. It occurs just after Sikhandini has overheard her parents discussing how her gender may cause the destruction of their home -- because they had been promised a son, they offered her as a groom to a kingdom who was so offended it threatened to attack. Sikhandini feels responsible for all the strife, and runs away. I'm hoping to continue my focus on Sikhandin(i) in future storytelling assignments, so be sure to check in soon if you'd like to follow along with my version of this story (...including a resolution to this melodramatic cliffhanger)!
I changed the characterization of Sikhandini a bit to make her match my previous portrayal of Amba. In the original story, she is more tearful and grateful, and less creepily steadfast; eventually Sthuna offers to trade genders temporarily. I decided to imply that Sikhandini came to this conclusion because it felt more in line with my version of the character.
Credit to Laura for suggesting the banyan reference at the end! In my cursory search for an appropriate tree to complete the metaphor, I learned that the banyan is not only the national tree of India, but also seen in Hinduism as a symbol of eternal life -- fitting for a character who lives so many different lives.


Bibliography: Sister Nivedita's Myths of the Hindus & Buddhists, "The Resolve of Shikandini", 1917

Friday, February 26, 2016

Week 6 Storytelling: Riddles at the Lake





Okay, okay, so I know you've heard the story. And I know it sounds kind of crazy. But I think it's time I set the record straight. This is going to sound bad, but hear me out!

So the first brother comes up to my pond. He's looking pretty rough, like he just chased a deer for some twigs or something. Seems like a weird activity, but hey, I'm one to talk, right? Point is, he's looking pretty parched, and I can tell he's got one thing on his mind as he approaches the edge of my pond. So I say to him, "Hey, kid. You can have all the water you want, but first I need you to answer some questions." Reasonable request, right?
APPARENTLY NOT. Because this kid -- he doesn't even say a word! -- he just bends right over and helps himself. Um, hello? Disembodied voice here? I'm just trying to be polite, jerk! 
So then of course, the next thing he does is fall over dead. Typical! Whatever, it's not like I didn't warn him. 

Now I'm back at square one, except now there's a dead guy hanging out next to me, and I'm kind of mulling over what just happened. Mostly, I'm just thinking about the lack of common courtesy people show ponds these day. 
Then, before I know it, the same guy walks down to my pond. I'm thinking, 'uhh... okay...?' but I say to him pretty much the same thing I said before. "Hey! Maybe I wasn't clear the first time, but you really can't drink until you've answered my questions." Again, no response. Again, he helps himself. Again, dead. 

By this point, I'm thinking my morning can't get any weirder. How many more times am I going to have to tell one dude to hold off on my pond until I get my answers? 
I got my answer pretty soon with a different guy comes down the same path. I realized he kind of looked like the other two -- who I figure must have actually been twins, not the same guy twice -- and that's when I realized that all these guys were related. 
He seems older though, and way stronger, so I start hoping that he'll be a little more cautious than his dumb younger brothers.
I start into my usual greeting. "Hey there, I need your help. Answer my questions, and I'll let you have all the water you can dri--"
"YOU TALKIN' TO ME?" he interrupts. 
"Um. Yes. You. With the bow. Don't drink this water yet. I need you to answer some questions first."
"Oh, you want answers?! Well, maybe ask my arrows!"
He starts loosing arrows into the water. Seriously. He did that. I couldn't make this up. I didn't say anything. Like, what can you say? 
After a long freak out session, he finally lays his bow down triumphantly and drinks from my pond. He dies. Honestly, by this point I'm kind of thinking good riddance.

A couple minutes later a fourth brother comes down. You know the drill by this point. "Hey, don't drink from this water yet." He drinks from the water. He's dead now.

Real talk: I was feeling pretty ready to give up. I guess people just have no respect for ponds anymore.

Finally, a fifth brother approached. I tried not to sound too over the whole thing, but I know I wasn't as polite as I was the first time around.
"HEY. DON'T. DRINK. THIS. WATER. Yet. I really need you to answer some questions."
"Speak and I will answer thee."
Wait, what? I'm stunned. Did I finally find the one guy reasonable enough to listen to a pond?
I'm feeling pretty cautiously optimistic. "Who makes the sun rise?" I inquire hesitantly.
He answers without even thinking: "Brahma maketh the sun rise."
Oh, that's right! He's right! I'm stoked, so I fire off a few more questions. "Okay, who keeps Brahma company? Who makes the sun go down? In whom is the sun established?"
He's answering just as rapid-fire: "The gods accompany him; Dharma maketh the sun to set; in truth is the sun established."
YESSS. I've hit the jackpot. I asked him riddle after riddle, and he didn't sweat the whole time. This guy was a real scholar!

After what seemed like a million questions, all of my homework was done and my teacher's curse on my pond was lifted.That's right -- contrary to what you might have heard, none of this was my fault. I tried to warn everyone, but nobody ever listens to me.
Anyway, I guess the smart guy's dad had been watching, so he restored his dumb brothers' lives and gave him some sweet godly rewards. 
Whatever, at least I got my pond back!



Author's note: The second half of the Mahabharata was filled with so much negativity, and the stories I've previously written drew more upon the darkness of their source, so with this week's storytelling I decided to try something completely different. This particular story was so strange it was almost funny, so I've chosen to play that up. It definitely felt weird for me to attempt the lighter tone; given how important the stories of the Mahabharata are to Indian culture, I definitely didn't want to come across as dismissive or insensitive. I always hesitate to poke fun at something that isn't native to me, so in this story, I tried to walk the line between tongue-in-cheek and disrespectful.
I changed the ending because I wanted to tell highlight the unique peculiarities of this encounter through a casual, conversational voice, and the original story didn't have as much room for that. In the original, the voice belongs to Dharma, god of wisdom and justice, who reveals himself as the "celestial sire" of Yudhishthura. My invented narrator is perhaps a yacht with a lot of homework.

Source: Link to original story, in the PDE Mahabharata.

Friday, February 19, 2016

Week 5 Storytelling: The Brief Afterlife of Amba

Author's note: My heart broke for Amba when I read her story. I loved her complexity: strong but fragile, unstoppable but fundamentally broken. I also enjoyed the depiction of Ganga's time on earth, and thought that an interaction between these two similar but opposite women might be interesting. 
In the original story, Ganga is the mother of Bhishma, who takes an oath to never take the throne. Instead, he wins by abduction three princesses to wed the eventual king, but releases the eldest, Amba, when she confesses that she in in love with another king. Her lover is embarrassed by his defeat, however, and turns her away. Amba then lives in a hermitage, where she prays so devotedly Shiva appears and grants her a wish; by this time, she has come to blame Bhishma for her misfortune, so she asks for his destruction. Shiva says that she will be reincarnated as a warrior who will destroy Bhishma, and Amba is so impatient for this she immediately throws herself on a funeral pyre.

The instrument mentioned, the jal tarang, is an ancient Indian percussion instrument made from various ceramic bowls filled with water. I thought its droplet-like timbre and associations with water were beautiful and perfect for this context. Link to a short video which features the instrument.




The Ganges River in Varanasi. Source


Amba faded from the earth, flames consuming her vision and her own voice ringing in her ears, echoing into infinity: "I do this for the destruction of Bhishma! To obtain a new body for the destruction of Bhishma do I enter this fire! I do this for the destruction of Bhishma! To obtain a new body for the destruction of Bhishma...!"

Then all was black. The echo rang on, but muffled, as if through a heavy curtain -- "...do I enter this fire! I do this for the destruction..."

All that existed was the distorted voice. Amba felt nothing, saw nothing, had no sense even of her own body; she occupied no space in the blackness, or maybe she was the blackness itself; as her mind turned itself inside-out in search of orientation, she decided that she must be either an expansive abyss or a minuscule singularity. The fury that had fueled her soul for so long faded in an instant; her soul mirrored her surroundings, black and empty and unforgivingly numb. 

"...of Bhishma! To obtain a new body for the destruction of Bhishma do I enter..."

The voice became more muffled, and a fuzzy distortion rounded out its shrill edges. Each syllable became lightly disjointed from the next until their tones were more jal tarang than voice; at the same time, the distortion unfocused into a soothing hush sound, whispering into Amba's ear, or perhaps emanating from Amba herself. 

Finally, the sounds refocused, but Amba no longer recognized her own voice; instead she heard water, coursing and trickling, lapping in waves at a non-existent shore. Her existence felt wet but murky, so she was unsure whether she was in water or had become it. 

Finally, the blackness turned blue, and Amba heard a voice that sent ripples from the water into Amba's soul and out again. 
"Brave, foolish child."
Amba tried to call out to the voice, but no words formed, only bubbles, rising up through infinite water. 
"Poor Amba. Unfortunate girl."

In the blue, Amba thought for a moment that she saw floating in the water an enormous orb, which became an eye, then two, then water once more. 
"Such courage. Passion. Pain."
Pain, Amba thought. Pain?
"Pain enkindling wrath. Bravery. Foolishness. Poor Amba." 
Pain. Pain. Pain. 

The water began moving around her, as though agitated by sharp winds. Memories crept into Amba's consciousness like a thick fog. Blackness. Flames. Her own voice. 
"...this fire! I do this for the destruction of..."

"Your resolve is admirable, unfortunate girl, but I fear you have misapplied it."

More memories: Shalwa, her love. Her love's face. Her love's face as he turned her away. His scorn. His disgust. The pain. Another face. The water was turbulently heaving now, this way and that. 

"My son was only trying to help."

The face. The flames. Her wrath. Her pain. 
The water was roiling violently, and suddenly hot, burning Amba's entire being, scalding her body and her spirit with white-hot tides, crashing into her from every direction. 

"I pray you find peace, child."

And then blue became white, and water became fire became earth, and Amba existed once more.




Bibliography: Myths of the Hindus and Buddhists by Sister Nivedita (1914). Found in PDE Mahabharata.

Wednesday, January 20, 2016

Week 1 Storytelling: The Goose That Laid the Golden Egg

The Goose Who Laid the Golden Eggs

Author's note: When I was young and hearing this fable for the first time, I remember finding it unrealistic. Not because geese seemed unlikely to produce precious metals, but because the greed of the "countryman" (here, "the farmer") seemed beyond all reason, logical or emotional. I decided in this assignment to satisfy my nagging dissatisfaction with the antagonist's unrealistic motivation... by making it even more fantastic and unrealistic.

In writing the story, I found it particularly challenging to connect each element of the story in a natural way. Looking ahead to this same task applied to Ramayana and Mahabharata stories, I think this will end up being a great practice exercise for those highly detailed, but sometimes disjointed stories. 
Here, I chose to use a somewhat simplistic, plainly-stated writing style to emphasize the melodrama of the plot. Since the texts we'll be reading include just as much -- if not more! -- intrigue, drama, and surprises as this story, I predict I'll be able to tone it down for those. Of course, I couldn't help throwing in a bunch of tacky puns, alliterations, and the like -- it is a children's fable, after all!





     The goose was in love.
     She revealed as much to the other animals of the farm when the first golden egg appeared in her nest, as golden eggs were said be passion manifest. They inquired with intense curiosity as to the object of her affection; the goose, however, sealed her beak and refused to answer. 
     This was enough to quell the intrigue of most, but the chickens and the turkeys, considering themselves the goose's closest confidantes, chided and chattered endlessly amongst themselves on the injustice of this. How dare she tease them with only one half of this revelation! Of course it was their right to know -- secrets, after all, were meant to be shared!
     The goose held firm, daintily dodging their interrogative onslaught, until one day the poultry could take no more, and a plan was hatched.

     "That silly goose is hiding something, and it is our duty to ensure that the truth is brought to light!" clucked one.
     "But how? She relishes torturing us with her falsehoods, the answer will never come from her!" another crowed. 
     "And the rest of the farm seems to have completely forgotten the importance of this matter altogether -- as though there wasn't a new egg each day, shining and glittering like hellfire itself! These eggs surely foretell doom. It is clear that we must act at once to uncover their cause!"
     "But how? The answer will come from neither the goose nor any of us animals."

     And at once they realized their oversight, for there was one on the farm who shared their interest in the eggs. 
     So the next day, when the farmer came to collect his golden gift, a chicken stopped him on his way.

     "Do you know the cause of the golden eggs?" 
     "I haven't the faintest idea," he replied, trying to sound disinterested.
     "The goose is in love." When he stared blankly instead of replying, she continued. "So, if you can make her tell who she's in love with, you can unite them, and perhaps the eggs will increase in size, or the gold in purity; passion, after all, is what really shapes them."
     The farmer shook his head, redoubling his attempt to maintain a casual tone. "I must be honest with you: while I appreciate your advice, I take no particular interest in the affairs of geese." 

    But the farmer was a liar. 
    The chickens saw the concern on his face as he collected the day's egg. And though the farmer said nothing to the goose, they congratulated themselves on an impending victory when they noticed the look of pained concentration as he returned to his home, eyes never once leaving the egg. They knew they had bested the goose.
    What they didn't know, was that the farmer, too, was in love. He placed the egg gently on his bed, then sat, hands folded, brow furrowed. The radiant glow emanating from the egg caught his eye, and he took it in his arms, holding it to him, feeling its warmth. 

     And then, the tender warmth turned to a burning bitterness -- white-hot jealousy crackled in his every nerve, and he threw the egg to the floor where it landed with an imposing thud, wobbling on its axis like a child in the midst of a tantrum.
    He had long favored the goose, presenting her with surreptitious gifts on his frequent evening visits to her nest. They had held what he thought of as a certain understanding -- he had trusted her with his innermost musings and secrets, and she had -- he once believed -- done the same.
     Now, the goose was in love, and the first he heard of it was an indignant chicken's gossip. The bitterness rose up again, dominating his every sense, until he thought he might be sick at the disgusting taste it left in every crevice of his mouth.
    He felt himself shoot up from the bed, as though controlled by a malevolent spirit. His body marched itself out of his house, down the path to the goose's roost. He felt his eyes meet hers, and heard his voice, inhumanly cold, asking: "Who is it?"
    She said nothing. Instead, she sadly turned her eyes from his, down to beneath her own body, where another golden egg sat, small but unmistakable in its resplendent brilliance.
    The glare caught his eye, and without averting his gaze, he threw the goose to the floor, taking the egg and lifting it up.

     "You will make more," he sneered, not once looking away from his prize.
      There was no response for a long moment, and then a weak voice: "I can't."

      At this, he jerked his head down to her, where she lay crumpled and still. He sat the egg back in the nest, teeth clenched. A different glare seized his attention, and he glided toward it, a moth caught by a deadly flame. An axe leaned against the wall, and he grasped it in his hands. 
     "Then I will take it all."
      The sunlight caught the blade, tracing a blazing trajectory up, arcing over and down, extinguished in a mess of feathers and blood. 
     There was no light -- no shining blade, no glittering gold.
     He fell to his knees, face in his hands. He couldn't bare to look, so for a long time he stayed in that position, conscious of each shallow breath entering and exiting his body. 

    Finally, he lifted his head. The small egg gleamed from the nest. He grabbed it, cupping the precious thing in his hands like a desert's last drops of water. It was still warm.




Bibliography:
Image: Golden Egg Licensed under Creative Commons
Story: Based on "The Goose and the Golden Egg",  Aesop for Children, by (anonymous), illustrated by Milo Winter (1919)