Thursday, April 28, 2016

Week 14 Reading Diary: Twenty Jataka Tales



The Two Pigs: Two pigs in forest, taken home by old woman; grow up with her as their mother; men in town get drunk and want to eat pigs, offer to buy them, woman says no until they get her drunk; offers one pig but not the other; pig to be eaten sees men with ropes and runs back to brother; brother tells him not be afraid, they will bathe in water until they smell perfume, this is what he was raised for; his words soften the hearts of the men and woman; pigs taken to live with king, happy ever after

Quarrelsome Quails: Quails keep getting caught in net by hunter; he casts it over their heads and catches 100 at a time; king quail advises his subjects: if he casts the net over your head,put your heads through the holes and fly up as one to a hill so you can free yourselves, but don't argue or you'll get caught! It works for a while, until two quails start arguing over an accident; they get caught, but king never does

The Noble Horse: Brahmadatta has a beautiful horse; 7 kingdom's declare war on his kingdom; brave knight says he can vanquish the armies if he has Brahmadatta's horse; 6 armies in a row beaten, but horse wounded; knight decides to use a different horse but Brahmadatta's says no, knight can only beat 7th army with him, no other horse; knight binds up his wounds and takes him to war; 7th army vanquished; horse says to be merciful and release the prisoners of war, then dies; memory lives on, happy ever after


Wednesday, April 27, 2016

Week 14 Reading Diary: Inayat's Twenty Jatakas Tales

The Monkey Bridge:
Monkey chief rules over 80,000 monkeys in mango tree; mango falls, floats down to kingdom, is most delicious mango ever; Brishmadatta and men go off in search of mango tree, find it, plan to shoot monkeys and eat mangos; monkeys overhear plan; monkey chief makes bridge out of reed to next tree, but reed is too short, must use his body too; his back is broken; "Forget not that your life is but little to give if in giving you secure the happiness of your people. Rule them not through power because they are your subjects; nay, rule them through love because they are your children."

The Guilty Dogs:
Palace dogs eat leather straps of royal chariot; king is angry and orders all city dogs killed; city dog chief goes to king, tells him he's got it wrong, proves it; city dogs given food and royal care

The Hare and the Fairy:
Hare has three friends, jackal, water-weasel, and monkey; each finds some food, calls out "whose is this?", no answer, takes it; fairy changes herself into old beggar, asks each animal for food, each offers them what he found; hare has nothing but himself, offers to jump into flame; fairy places his image on the moon


Monday, April 25, 2016

Week 13 Reading Diary: Wilson (Extra)

Nala the Gamester:
Nala is a prince; Damayanti a princess (daughter of King Bhima)
Nala catches a bird, who offers to talk him up to Damayanti if set free; Nala agrees, bird does; Damayanti reciprocates
Time for Dama to pick her suitor, all princes from across the land gather to try to be chosen, including 4 gods; gods tell Nala to go tell Dama to pick between them, he does, she says she still picks Nala; gods make themselves appear as Nala, distressing Dama; they feel bad and reveal themselves, give Nala gifts and abilities
Evil god Kali consorts with Pushkari, Nala's brother; challenge Nala to a game of rigged dice; he loses everything; they are outcast into the forest; Nala begs Dama to leave him and return to her father but she will not; he decides he must leave her for her own good; he runs away in the night; she tries to find him, is caught by snake; rescued by hunter
Travels through forest; comes across a hermitage, where the hermits tell her everything will be okay; prays to a tree that ends sorrows; meets merchants, hangs with them for a while, eventually blamed for elephant stampede; finally finds shining city, greeted by king's mother, invited to stay
Lala finds snake that bites him with venom to torture demon in his soul, tells him to go to city and live in disguise as charioteer
Dama returned to her father, hears rumor of Nala as charioteer, holds second festival to find love
Nala's raja hears about festival and has Nala take him there; raja has gift of numbers, which he gives to Nala, which frees him of Kali
Nala goes to Damayanti, reveals himself; they travel back to their city with Bhima's army, Pushkari gives it back


Tech tips: Embedding Sound Cloud

Weel 13: Back Up and Review

I really like this image from Friday's blog post. I think the value of creative writing is so poorly understood and misrepresented by so many people, and this image perfectly captures why I still love to write creatively, even if it has nothing to do with my career or life goals.


Why We Need Creative Writing. Here's why:


Week 13: Famous Last Words

What a week!
In this class, I read The Five Tall Sons of Pandu, which was a really quick and easy-to-read version of the Mahabharata that focused on the five Pandava brothers. It was interesting to read the same stories with almost all of the mystical or spiritual elements removed; it was very much grounded in a possible reality. To be honest, I found myself missing those more fantastical elements a bit. I wouldn't have guessed it, since I'm a huge history nerd and not typically big on fantasy, but I really felt like they added a unique charm to the epics.
I was also able to wrap up my trilogy on Amba/Sikhandini/Sikhandin with my story about Bishma's death and Sikhandin's reaction. I really loved going in depth into this fascinating character in all of her/his various lives. It's also been neat reading the comments from classmates, most of whom didn't seem particularly stricken by this character throughout their readings of the Mahabharata. It's nice to think that my obsession may have led someone else to reconsider the role of the character in the various stories.
I also learned from a friend that I had been pronouncing "Mahabharata" REALLY incorrectly throughout my time in this class. I guess that's the pitfall of an online class! I was really grateful to learn and correct my mistake, even if it happened a bit late in the semester.


In my other classes, it has been a very stressful week musically. I had my second Recital Preview -- where you play a bit of your recital for your entire area faculty, and they say whether or not you're ready to give the recital on your preferred date. Since I am double majoring in two separate music fields, I've had to give two senior recitals this semester, which has been INCREDIBLY stressful. Happily, I passed, and my second and final recital is a go! I will be presenting a brief lecture on Darius Milhaud's life and influences, exploring in detail his associations with jazz and futurism, and then performing his Sonatine pour flûte et piano. I've never given a lecture recital before, so I'm nervous but excited about this new experience.
I also performed with the OU Symphony Orchestra yesterday for the last time ever! Throughout my time at OU, I've played in pretty much every large ensemble, but the Orchestra has definitely been my favorite. I'm so grateful for all that I've learned and pushed myself to achieve from being in such a high standards environment, surrounded by mostly grad students!
I am also performing with the OU Civic Orchestra on Tuesday night. I'm excited to play a really great program with some inspirational colleagues -- most of the members of Civic are non-majors or community members who have decided to keep up their life in music.


Week 13 Growth Mindset: Even geniuses have to work hard

This week I reflected on this little nugget of wisdom from our favorite internet cats. In many areas, but for my life particularly in music, I think we tend to be more impressed by people who can perform tasks effortlessly than those who have the dedication and courage to work really tirelessly at something; this seems totally backward to me! 
For one, even those who perform effortlessly probably put in a ton of work just to get to that point. See my last growth mindset about the difference in what we see with regard to preparation versus performance.
Two, working really hard is in itself an ability -- that's why music teachers stress not just the importance of practice, but the importance of GOOD practice. Even at my level, with musicians who will go on to lead big, important careers, I know of peers who have reputations for not being able to practice well. They get by on natural talent, but everyone knows that the second they find a piece outside of their ability level, they won't ever be able to conquer it because they don't have that skill set or mindset.


Week 13 Learn by HEART Challenge: Buddhist Teachings on Happiness

This week I read an article that shares 10 lessons Buddhist philosophy has to teach us about happiness. I usually do empathy growth mindset, but as the end of the semester nears, and I've gotten more in touch with my (hilariously abysmal) emotional health these past few weeks, I thought this might be more relevant to my current needs.
I've always been very interested in Buddhism; I've been a vegetarian for 9 years, and always a big believer in pacifism and peace, so a lot about this philosophy appeals to me. I thought this article did a great job summing of some of the major points of Buddhism in small, easily understandable and applicable bits of wisdom.
In particular, I felt drawn to points 2 (I often have to remind myself that my worth as a human is not determined by my GPA), 6 (I am often bogged down by negative emotions), and 7 (stressing about the future won't help me in the present!).




Friday, April 22, 2016

Week 13 Storytelling: Skihandin After Bhishma



Sikhandin stared with fury into the eyes of Bhishma. Bhishma stared with sadness back. The great leader had recognized Sikhandin, though he had never seen his physical form. The stories had traveled far. Bhishma knew.

Sikhandin's heart pounded. A wild scream tried to escape from his throat, got caught, and became a sharp inhale. He had waited for this moment. Across three lifetimes, he had imagined himself in this very position, locking eyes with his sworn foe. He had imagined the feel of the weapon in his hand. He had felt the tension in every muscle, each night as he closed his eyes to sleep. 
He imagined himself speaking bold words across the battlefield, words to make his enemy fearful and angry, but also to make him understand the wrong he had done. He opened his mouth again, tried to speak those words, but they did not come. His memory of this detail -- what was he to say? -- had been so clear and brittle only a moment ago. Now the words were a crackling fire: passionate, writhing, sparking, and dangerous, but impossible to grab; they had no form, no outline, only light and shadows and fury. He tried to conjure up a memory of his own voice -- the words he had mentally rehearsed every night across multiple existences -- but heard only the echoing voice of a young girl who had been driven mad with pain, as her words became water, then silent stone.
This moment of hesitation, as Bhishma stared at Sikhandi unwilling to speak, and Sikhandi stared back, unable to form words, was enough, and soon arrows from the Pandava army darkened the sky as they rained down upon Bhishma, who made no motion to escape them.
Sikhandin watched as arrow after arrow pierced Bhishma's armor, then his flesh. Bhishma fell. Soldiers from both sides ceased their fighting, rushing to the leader out of despair or triumph or grotesque curiosity. 
An urge arose in Sikhandin to turn away, but he remained still as a stone, watching more and more faceless bodies gathering around where Bhishma had stood. Leaders of both armies arrived, united momentarily by their grief. Bhishma had been universally revered. This one leader's death was so tragic, it stopped an entire war, if only for a moment. Sikhandin, meanwhile, stood alone. The fire in him was quietly extinguished. All that remained was smoking, grey ash.

His mind emptied in one great sweep of darkness. All desire, every trace of passion or determination or righteous hatred disappeared, gone as quickly as an arrow loosed from an archer's bow. The blank abyss that was left of Sikhandin's spirit felt enormously heavy. It felt overwhelming. It felt like staring into a starless night sky. He lost himself in it for what could have been an eternity, disappeared from his surroundings into the embrace of his own emptiness. It felt good.

He became gradually aware that his body had begun moving, carrying him away from the scene as if guided by some celestial hand. As he emerged from within his own mind, he became keenly aware of every movement made by this suddenly foreign vessel of a body. His legs bent, picking up his feet, which came down in front of his body, again and again and again, for an acre and then a mile; his eyes stared straight ahead, dull as two lifeless stones; and yet he was not controlling these actions. They happened and he experienced them without thought or concern.

After what could have been minutes or hours, he was taken by his body to a river he had not previously known was there. The movement stopped and his body relinquished its hold on its passenger. Sihkandin stood at the banks for a long time, eyes closed, listening to the trickling water. 
He started moving again, this time entirely of his own will. Each movement now was deliberate and slow. He entered the water, eyes still closed. It rose up to greet him, enveloping his form like a cold embrace. Finally, he was submerged, and he opened his eyes. 
Blackness became calm blue. 
Sikhandin was no longer fire or stone. He was at peace.

A voice wrapped itself lovingly around the remnants of his physical form before it slipped away with the current of the river.

"Welcome home, Amba."





Author's Note: I wanted to conclude my Amba/Skihandini/Sikhandin series with the resolution to this character's lifetime of strife: the achievement of her/his ultimate goal, the death of Bhishma. 
I think the epics themselves do just fine describing what happens in the lead-up to this event, describing the war, then telling of Bhishma's death and funeral. It's clear from the stories that Bhishma was well-regarded in life and in death, and we get a lot of details to show this, including a brief ceasefire to honor the fallen leader. His story is wrapped up in a neat bow and concluded with great care.
However, we never receive any resolution to the struggle of Sikhandin. This is what I imagine happened.
I wanted to include some references to the previous lives of this character, both as depicted in the various versions of the epics (s)he pops up in, and as written in my versions. Throughout my Amba series, I've associated her with various elements or natural forces to represent her struggles, emotions, and strengths. In the first story, she was fiery hatred, and each time she felt the passion that drives her, I used fiery language. In the second story, she was stoic stone, and I used that imagery to portray her quiet yet unwavering persistence. Finally, throughout each story, I've associated water with moments of peace. Thus, my version of the character seeks this element to ultimately rest.

Source: Wilson's Five Tall Sons of Pandu


Thursday, April 21, 2016

Week 13 Reading Diary: Wilson's Five Tall Sons of Pandu (B)

Yudhishthir wants to be king of his own realm Duryodhana objects
Preparations made for war
War council at Virata's
Older brother of Krishna advises peace efforts; Satyaki calls for immediate war; Draupad offers compromise
Dhitra (blind king) begs Duryodhana to consider peace offer "Grieve not the declining years of your father with the shadow of death", Drona agrees
Duryodhana feels betrayed: "we have such warriors as Drona and Karna"
"Tell them that they seek in vain the restoration of their kingdom. Nay, they shall not win back form me such a space that a needle's point would cover"

Bhima: "Your cause is unjust, Duryodhana, and the gods do not favor you."

Sikhandin gets his revenge: fights for Pandavas, Bisma knows he was "born a woman", can not fight him; stands defenseless "overwhelmed by a shower of arrows and spears"
Leaders united to mourn Bhishma, laid on "a couch" of Arjun's arrows

Bhishma begs Dury and Karna to end the war, but both too consumed by bitterness to listen
Karna learns he is Arjuna's brother, still hates
Drona becomes army leader, thinks his son has died, falls

Karna becomes leader; fights Arjuna, then Yudhishthira; neither battle ends in victory
Finally meets with Arjuna again, doesn't stop fighting even when Arjuna's bow is broken; killed



Wednesday, April 20, 2016

Week 13 Reading Diary: Wilson's Five Tall Sons of Pandu (A)

Pandora brothers live 12 years in wilderness in exile
Duryodhan comes to mock them, is captured by gandharvas
Yudhisththura and brothers save him, causing him to resent them even more

Story idea: Duryodhan's capture, his perspective and thoughts while being rescued by Pandava's


After exile, brothers + Draupadi disguise themselves in court of King Virata:
Yudh becomes Brahmin, Bhima a cook, Arjuna dance/music teacher, Nakula keeps horses, Sahadeva cattle; Draupadi waiting woman in princess's court
Dry comes to steal Virata's cattle, Arjuna tries to become charioteer to defend kingdom

Story idea: Music lessons with Arjuna


Arjuna reveals himself to Prince Uttara: "The position of the two princes was now reversed. Arjun was the leader, and Uttara rejoiced in his leadership."
Pursues Dury's army, catches them: "...with boyish glee he entered into the battle, bending his wonderful bow and rejoicing in the music it made."

Story idea: Uttara's perspective of Arjuna's ride into battle


Wednesday, April 6, 2016

Week 11 Reading Diary: Kincaid's Mahabharata (A)

Source: Kincaid's Mahabharata

King Bharata is origin of "another great line of Aryan princes" (in spirit of Rama)
     Descended from "moon-god"
Vichitravirya = g-g-grand son of Bharata, dies leaving behind two widows who each bear a son
Dhritarashtra is older, but blind
Pandu is younger, becomes king
     wives: Kunti (oldest 3 sons), Madri (younger 2 sons)
     sons: Yudhishthira, Bhima, Arjuna; Nakula, Sahadev
Pandu dies, Dhitarashtra ascends; welcomes Kunti + Pandu sons
Drona appointed to teach sons weaponry
     Pandu brothers surpass Dhit brothers, eldest Dhit Duryodhan is jealous

Duryodhan's jealousy: Pandava's are better warriors, more beloved, more successful; Dhit names Yudhishthira as successor because he is oldest
     lies to father about pride of Pandavas, "hinted falsely that they aspired to depose" King Dhit and "take from him the kingdom"
     invents plan to kill Pandavas -- trap them in a burning building